INTERVIEW WITH THE FACE ABOUT MY TIME ON THE DOOM GENERATION.

Therese and I sit for a camera test. Photo by Jim Fealy.

Therese and I sit for a camera test. Photo by Jim Fealy, 1994.

IT’S DIFFICULT TO NOT SOUND LIKE A COMPLETE MORON ONCE THE WRITERS ARE DONE EDITING WHAT WE SAY OVER THE COURSE OF AN HOUR LONG PHONE INTERVIEW. I CAN’T PUT TOO FINE A POINT ON IT: THIS WHOLE MOVIE WAS THE VISION OF GREGG AND THERESE. I WAS JUST A YOUNG FOOL, HANDY WITH SOME TOOLS, WHO WAS LUCKY ENOUGH TO BE A PART OF IT. #RIPTHERESE

I DIDN’T CREATE IT’S LOOK.  I JUST HAMMERED, PAINTED, CLEANED UP BLOOD, AND SMOKED A TON OF CIGARETTES.

NONETHELESS, THANK YOU TREY TAYLOR FOR THE PIECE ON A SUPER 90’S FILM OF WHICH I AM HAPPY TO HAVE BEEN A PART.

LINK TO ARTICLE HERE

Michael Krantz

US-based production designer working on commercials, television and film.

http://www.michaelkrantz.com
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